she/her
thu May 29 | Goethe-Institut

Anette Hoffmann’s artistic, curatorial, and academic work engage with sound archives and audio-visual collections as sources of colonial history. Her installations and exhibitions have been shown internationally since 2009 (see Anettehoffmann.com).

She is the author of Knowing by Ear. Listening to Voice Recordings with African Prisoners of War in German Camps (1915-1918), 2024 (Duke UP) and Listening to Colonial History: Echoes of Coercive Knowledge Production in Historical Sound Recordings from Southern Africa (Basler Afrika Bibliographien), 2023. She is senior researcher at the Institute for African Studies and Egyptologie at the University of Cologne, Germany.

Anette Hoffmann will be part of the pre-performance panel: Interferences: Live - On Glitches, static, and Sonic Histories. The panel is co-developed in collaboration between Sieve Bonaiuti, meLê yamomo, Leonie Schmidt and Zoë Horsten. It’s supported by Goethe-Institut, ASCA and AYA.

Access to the panel is included in the ticket for the Thursday May 29 performance

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